I’m starting to sort and pack up my things ready to move house after Christmas….. all my batiks are already in boxes, so you can tell where my priorities lie…..
Clothes? Nope. Kitchenware? Nope. Laundry consumables…… does the iron count?! hahahaha nope, because it’s only used for quilting…. Schooling supplies and toys? Some. Batiks and favourite books? …. Ready to go!
Biased priorities aside, in starting to sort my sewing space I have had to have a good hard look at my quilting UFOs. Many are moving house with me, and will form the backbone of my sewing for the year. But there are a few that just need to be finished and delivered now. And there ain’t nothin’ like a deadline….
If you have been following for a little while, you may remember that I have been attending monthly local Handiquilter group meetings at the Adelaide Sewing Centre. I really like these meetings because they expose me to different techniques and give me a semi-hard-deadline to try them before the next meeting. This past two months we have been looking at trapunto.
The meeting before last, Heather talked about trapunto in general. Then last month she upped the ante by talking about shadow trapunto. This is fantastic, because I first discovered shadow trapunto on the internet years ago, and put it on my to-do list. Where it sadly stayed ever since. Until now.
I was pretty pleased that the next month or two’s worth of homework is something I have always wanted to try. But of course, time slips away and the next meeting is looming very large, so today and yesterday I have been madly going trapunto! 🙂
Researching my Trapunto Homework
A few months ago, I also discovered an amazing quilting blog by Geta Grama. If you are not familiar with this blog, you are definitely missing out. I highly recommend that you check it out (Hey, not just yet! – when you are finished here!! ;)).
What’s more, I discovered Geta Grama about the same time Heather announced that we were going to be looking at trapunto for the next few months. And, guess what Geta does a lot of? That’s right! Trapunto! So ever since, I have had one of Geta’s tutorials earmarked. Now I am having a crack at it, and here’s how it went….
After downloading Geta’s “Dream Big” file, I printed the pdf (4 pages) and stuck them together…. this went without a hitch. Now, here’s where I started to deviate from the script. I don’t currently own a working wash-out marking pen, and they make me nervous anyway. So, I traced the lettering onto greaseproof paper and layered this over white cotton quilting fabric and 200gsm (30mm) polyester wadding. I immediately wished I had opted for the thinner polyester batting, as the fat wadding didn’t fit very well under my sewing machine foot. It probably wouldn’t have been such an issue if I had just marked the fabric rather than trying to use baking paper, so perhaps I shall have to remember to buy a washout pen next time I am shopping.
Anyway, with a little care, I managed to sew around the lettering without losing the baking paper. I used soluble thread on the top and ordinary bobbin thread underneath.
“Dream Big” sewn onto fabric and polyester batting
“Dream Big” sewn into polyester batting (from the back)
Then came the bit that has always put me off trapunto. The cutting away of the excess polyester batting. I hate the thought of nicking the top fabric or the stitching holding it all together. Just to cut out this little project took me an hour, and I did accidentally cut the stitching once. It promptly started coming undone quite badly, so I re-sewed the loose part straight away. Thankfully I didn’t nick the top fabric at any point. At this point I was pretty sure that trapunto is not for me. Too stressful for a hobby!!!
“Dream Big” trapunto cut away from excess batting.
I will note here that I should have read Geta’s tutorial more thoroughly before I started. She says starching your fabric really stiff helps keep the fabric from getting accidentally snipped. I’ll have to try that next time. If there is a next time….. see, I am warming to the idea.
Putting the Quilt Together
Once I had the trapunto prepared, I layered it over another two layers of bamboo/cotton blend batting (that’s what I had at hand) and put white fabric on the back. I used two layers because I read on Karen’s quilt blog that this will give you better quilting definition and more texture. I wanted to give this a go, and there’s nothing like killing two birds with one stone.
Then I traced the innermost heart shape onto more greaseproof paper and positioned it over the quilt sandwich using the lettering as a guide to placement. I stitched the outline of the heart in white thread and removed the paper.
Marking the boundary of the innermost heart with stitching.
Then I filled in the heart around the lettering with micro stippling and finished off the letters and heart outlines by going around them twice. I used variegated Wonderfill cotton thread for the micro stippling and Robison-Anton rayon for the outlines. The Robison-Anton shreds too easily in my Sweet 16, although I never had any problems with it in my domestic machine. I personally prefer Madeira rayon in my Sweet 16. However, the colour was the decider from the threads I had on hand, so I just persisted through the inevitable broken thread episodes.
Micro-stippling allows the trapunto to really pop out.
Quilting the background
The original pattern from Geta Grama was finished off with some simple echo quilting. But never one to stick to a pattern, I had to mess with it. Besides, I am always looking for ways to increase my quilting practice without increasing my number of projects. So, I drew up a slightly altered echo quilting plan and filled in the first concentric heart with half feathers. By this stage I was having fun. There will probably be a next time after all.
“Dream Big” trapunto with echo quilting.
Then I decided to complete the feathers rather than repeating the half feathers and alternate the feathers with other designs. I started with pebbles, but my bobbin ran out. Which was fortuitous because I decided I didn’t like the pebbles after all and ripped them out.
Here are the pebbles I started before ripping them out.
In the end, I decided to fill in the gaps between the feathers with micro-stippling. It seemed better to keep the number of design elements to a minimum.
Micro-stippling combined with feathers between the echo quilting.
Finally I decided that I liked the extra white space left at this point, so I actually didn’t fill in the last few sections with dense quilting. So the project finally ended up looking like this:
Doing My Handiquilter Group Trapunto Homework
