I’m starting to sort and pack up my things ready to move house after Christmas….. all my batiks are already in boxes, so you can tell where my priorities lie…..
Clothes? Nope. Kitchenware? Nope. Laundry consumables…… does the iron count?! hahahaha nope, because it’s only used for quilting…. Schooling supplies and toys? Some. Batiks and favourite books? …. Ready to go!
Biased priorities aside, in starting to sort my sewing space I have had to have a good hard look at my quilting UFOs. Many are moving house with me, and will form the backbone of my sewing for the year. But there are a few that just need to be finished and delivered now. And there ain’t nothin’ like a deadline….
Welcome to the little Tuesday wedged in between my Sew Early 4 Christmas tutorial yesterday and our next Beary Colourful Bear pattern tomorrow!
Poor Tuesday! He had his big turn last week, with the Christmas in July blog hop…… but just because he is not the star of the Clever Chameleon blog this week doesn’t mean he can’t be inspiring.
He most certainly can!
Today’s blindingly bright colours are inspired by a little charity quilt that has just passed through my sewing room, cheering the place up as it went. I don’t know if I’d make myself a quilt in these colours, but it was nice to borrow them for a while. We all need a little cheering up occasionally. Let me brighten your day with this little orange quilt, another nice orange story from my week and a little look at the start I’ve made on my August Island Batik quilt.
Welcome to a short and sweet episode of Colour Inspiration Tuesday
I have been on this blog a lot the last week, so I’ll keep this brief. I was blog binge-reading on Saturday when I came across something I didn’t know, that I wish I had known a long time ago. So I am sharing it with you, on the off chance that you don’t know it either.
Colour Inspiration Tuesday: Blacklight Blue
One of the quilting blogs I love to keep an eye on is Tamarack Shack. Kathy Schwartz is a longarm quilter way out of my league, and I love the eye-candy that she shares from her professional quilting business. And this week I got an extra helping of happiness from Kathy’s blog…… Kathy shared a quilt marking tip that she had recently realised not everyone knew. Wait for it…….You can see quilters’ chalk on light fabrics under blacklight! Ummmmm, I’m sure you’re excited, right?!
Well, I was excited. I had to know right then, if it was true! I got up off my bottom at once, found my son’s blacklight torch (one of those that comes with invisible ink spy sets for kids) and my chalk wheel. I drew several chalk lines on my Vanuatu Turtle Quilt (because that was what was at hand with white fabric).
Quilters’ chalk on light fabric
And turned on the torch.
Quilters’ chalk on same fabric under blacklight torch
Now, I think I have mentioned that I don’t really trust marking pens, and avoid using them as much as possible. Now I have a new weapon in my arsenal that gives me an option I do trust.
Guess what I am asking for for Christmas….. a blacklight of my own….. I have to put this torch back before I get accused by DS, fairly or otherwise, of making it go flat!
If you want to follow this up, the specific post where Kathy shares this tip can be found here. She uses the blacklight on her longarm to see pounce chalk. She also shares about her new design wall – another thing I need to get on top of one day.
One of the things I really like in Vanuatu is the barking gecko. Actually, I like all geckos, full stop. They do the job of spiders without being anywhere near so nasty about it. We have geckos at home in Adelaide, and there are geckos in many of my favourite destinations in Australia. All different sorts and shapes of geckos, but all a variation on the non-threatening, insect-eating, big-eyed and big-toed small nocturnal lizard. Most geckos make noise of some description, but the barking geckos in Vanuatu are LOUD. It is unbelievable how much noise a tiny lizard can make!
Finding Quilt Inspiration in the Everyday: Day 11
I have been intending to add Vanuatu’s barking geckos to my everyday quilt inspiration series pretty much since the beginning. I would love to be able to FMQ their shapes onto a quilt such as the Tanna Island quilt design from Monday, or maybe even the black, white and red quilt I am planning for the Splash of Color QAL. They would also make great silhouette shapes for appliqué. For that matter, appliqué is an easier place to start with a new shape because it does not require drawing skills in real-time. You can edit until you’re happy. 🙂
How was I inspired by the Barking Geckos?
To start me on my gecko journey, I photographed several barking geckos as they hunted their evening meal by the light over our backdoor. Then I traced their forms. This gave me instant shapes I can use for appliqué silhouettes, but also a place to start working out a formula to quilt them freehand.
Would you like some gecko shapes for appliqué? Here are the six that I traced today. They are small so I could fit them all on one pdf page, but you can enlarge them as you need. Download my barking gecko silhouettes pdf here: Barking Geckos
How to quilt Barking Geckos
What makes a shape a gecko? Well, for these geckos it is a distinctively shaped head, the angle and size of the legs, the bulbous toes, the fat tummy and a tail that is about the same length as the rest of the lizard combined. When I can recreate these shapes with relative ease, I will be able to quilt barking geckos.
Here is my first attempt at free-hand drawing a barking gecko. Only happy with one of the four legs…..
Here is my second attempt.
Better. Three legs are great. The head is right. The tail could be a touch longer, but who would notice? Actually, if I could quilt geckos that looked no worse than this reliably I would be happy. If anyone is analysing my quilting shapes that closely and critically, we are not likely to see eye-to-eye about life’s priorities! So, my conclusion is…. with a bit of practice I think I will be able to quilt geckos. Yay!
I hope you like geckos. I do! If you like quilting critters, you might also like my post in this series about hermit crabs.
Also, the Fall 2017 Art with Fabric blog hop is now well underway. You can find Day 2 here. My favourite blog post from this set of artists is by Heather about her quilt “Dancers”. She describes how she takes her inspiration and turns it into an abstract representation. If you are looking for more ways to turn your everyday observations into quilt designs, I think you might like her post.
Dandelion Shadows: How to Shadow Trapunto with Felt.
Did you know there are an amazing number ways of achieving the stuffed quilting known as trapunto? When I was at school we were only taught one method. Snip the back of your work after stitching the trapunto outlines, stuff in some extra padding and sew the hole back up again. Of all the trapunto methods I now know, this would be my least recommended!
Trapunto quilting can be achieved by hand or machine. If you want to do trapunto by hand, read this fabulous article by Quilts A Lot and watch this video she recommends. This is a much nicer method than the slit and stitch I was taught. I would like to give it a go, “one day”.
Actually, even if you don’t want to do trapunto/french boutis by hand, these links are worth a look. The trapunto wedding rings quilt of Quilts A Lot is amazing, and the more techniques you know about, the more idea resources you’ll have to use in all your designs. 🙂
Machine Trapunto
Probably the most common method of trapunto I see these days is created by machine free-motion stitching onto fabric layered over polyester wadding. The wadding is then clipped to the trapunto shape before a quilt sandwich is made. There are many experts out there on this, including Geta Grama. I am not one of them, but I have given this type of trapunto a go recently on my Dream Big mini quilt. Now I am playing with shadow trapunto.
Shadow Trapunto
Shadow trapunto is when the top fabric and clipped wadding is laid directly over a second fabric rather than straight onto the quilt batting. The fabric between the polyester wadding and the quilt batting is expected to show through the top layer, except where the trapunto lies. Here the wadding obscures the fabric design underneath, creating a “shadow”. Thus the trapunto design has even more visual impact than ordinary trapunto.
Cross-section through a shadow trapunto quilt sandwich
The remainder of this blog post is a description of how I did the Dandelion Shadows trapunto with felt.
Felt Shadow Trapunto Cushion Project: materials
What you need: which fabrics to choose
The first step of a shadow trapunto project is to choose the top fabric and the feature fabric. The main requirement for the top fabric is that it needs to be partially see-through. You can use very transparent fabrics like tulle, or more opaque fabrics, like cotton lawn. Choose white or a very pale colour. For this project I wanted a subtle effect, so I choose white cotton lawn for its partially opaque nature.
The most important requirement for the feature fabric for shadow trapunto is that there is good contrast within the print. Light coloured prints often perform very well. Saturated prints that look bright but have low colour value contrast do not give very pleasing results. If in doubt, lay your top fabric over potential feature fabrics until you find one that shows through as you would like.
The feature fabric for my Dandelion Shadows project practically chose itself. While I was out shopping I noticed this hexagon print fabric, and it sparked an idea. It is “Grecian Bath House Tiles” by Emma & Mila.
Grecian Bath House Tiles fabric by Emma and Mila
Don’t forget, of course, that you’ll also need quilt batting and a backing for your project, seperate from the trapunto supplies.
What you need: which trapunto stuffing to choose
Finally, you need a material for the trapunto stuffing. To do a project with the method I am describing here, you will need a thick non-fraying fabric that you can cut into shapes without stitching it down first. I used felt, but thick fleece or similar would also work. The result is a much flatter trapunto effect than the traditional method…. perhaps it is “modern trapunto”. I like both effects…. but I would use them in different contexts. Choose a colour that works with your feature and top fabrics, because the idea is that you will partially see the trapunto stuffing through the top layer.
How much of everything you will need:
For this cushion (about 42cm square) I used:
– 50cm WOF of the feature fabric, cut into 2x 50cm² pieces.
– 50cm² white cotton lawn
– scraps of yellow and white felt
– 50cm² low-loft polyester batting
I didn’t use a backing because I intended to make a cushion out of the trapunto piece, so a backing would just be hidden inside the cushion. However, if you wish to back your trapunto, by all means do so.
My furry helper approving materials for the shadow trapunto.
Time to do something else for a while. These materials are taken!
Felt Shadow Trapunto Cushion Project: creating the trapunto quilt sandwich
How to create your trapunto shapes:
Once you have chosen your trapunto materials (and rescued them from your furry quilting friends), the next job is to produce the felt shapes to make the trapunto design. I chose to overlay the printed hexagons on the feature fabric with felt hexagons of the same size. You could exploit any medium or large scale fabric print in the same way. Or you can create any original design that you are willing to cut out and glue down onto your feature fabric. Either draw your design in reverse onto the back of your felt, or trace your reversed design onto freezer paper and use these templates to cut out your felt pieces.
Freezer paper adheres really well to felt…. who knew?!
I used freezer paper. This was actually a bit of an experiment, because I thought that the freezer paper would not stick to felt more than once, due to the great amount of fluff that remains on the freezer paper once the felt is peeled away. But I got at least 4 re-uses out of each freezer paper template, and it would have been more, but I didn’t require any more felt hexagons.
Attaching the felt to the feature fabric:
Elmer’s glue works well to tack the felt shapes down, but use it sparingly.
To get the felt accurately attached to the feature fabric I used a very thin smear of Elmer’s school glue (available in Officeworks here in Australia) to position the pieces. Once the glue was tacky enough that the pieces couldn’t shift, I flipped the project over and hot ironed from the back. This sets the glue hard so it cannot damage my sewing machine. However, if I want to re-position any pieces, they just gently peel off. Elmer’s glue is so fantastic!
Take care to use just a little so it doesn’t soak through to the front of the felt, especially if you are using a highly transparent top fabric…. but if it does, Elmer’s glue washes out, so as long as you can wash your project, it shouldn’t matter.
Once the pieces are securely attached and ironed dry, layer your work over the quilt batting and backing (optional for cushions). Then layer the top fabric (cotton lawn) over the top of everything else.
Cotton lawn laid over my felt shapes glued to my feature fabric, and the quilt batting.
Secure all layers with your favourite basting method (in my case, quilting pins).
Dandelion Shadows trapunto pin-basted
Felt Shadow Trapunto Cushion Project: quilting
Now it is time to quilt. I chose to quilt around the trapunto with a pebble, spiral and feathers design I saw on Karen Miller’s work posted in the Free Motion Quilting Frenzy facebook group (if you are into FMQ – join this group!!). There was no particular reason to use this FMQ design, except that I really wanted to try it. Any dense fill you like will do.
I densely quilted the background around the trapunto to help the feature fabric show through
Close-up of the FMQ
The pebble quilting is easier to see from the back
I finished off the quilting by adding some stems and leaves to the trapunto flowers and dandelion clock. These are quilted in a very pale grey-green. The idea is that they don’t detract from the trapunto and are only really noticeable if you are closely looking at the piece. Ghost details, if you wish.
Felt Shadow Trapunto Cushion Project: finishing off the cushion cover construction
Once I was happy with my trapunto piece, I squared up the sides. I cut the remaining piece of my feature fabric in half and hemmed one long edge on both pieces. I then sewed these pieces to the sides of the trapunto sample.
Dandelion Shadows trapunto with fabric attached for cushion envelope.
I then folded the flaps over the trapunto piece, right sides together, so that the cushion backing pieces overlapped by 3-4 inches. I then sewed up the top and bottom of the quilt cover and trimmed the excess from the seams.
Envelope Cushion cover ready to sew.
Here is the back once it was turned right sides out and filled with a pillow form.
And the finished cushion 🙂
I hope these instructions are clear enough. If you have been following my blog lately, you’ll know that I am writing things in a bigger hurry than usual. If you have any questions, please ask and I’ll endeavour to answer and/or edit to clear things up.
Shadow trapunto with felt is a lot faster and less stressful than the more traditional kind. No risk of accidentally snipping fabric or stitches. But it does give a different effect, so it’s not a replacement for stuffed trapunto. I really like the effect this gives. I will be doing this again, for sure.
What do you think? Are you going to give this a go? Have you already done trapunto using this method? I’d love to know what you made.
Now, I’m going to have to love and leave you….. we have a family day in between all the work we are doing here in Vanuatu. Going to see an active volcano!!!!!! I am hoping tomorrow’s “everyday” quilt inspiration slot will be anything but! xx
Would you like some gecko shapes for appliqué? Here are the six that I traced today. They are small so I could fit them all on one pdf page, but you can enlarge them as you need. Download my barking gecko silhouettes pdf here: 
Dandelion Shadows: How to Shadow Trapunto with Felt.
