Finally, it’s here – the first appliqué for the Love with a Twist quilt along! You will find the free downloadable balloon poodle appliqué pattern within this post. And a short pictorial on how to put it together too.
You know how I have always had every intention of this quilt along being a little relaxed and random in its delivery?…. Well, that is still so. But I didn’t really intend for it to be quite this long between the throw-size quilt construction instructions and the release of Block 1A. Apologies! But with my Triangle Friends magazine quilt publication, and my big 2018 Island Batik Ambassador finale quilt due, and getting set up for the new 2019 Island Batik Ambassador year, it’s been kinda crazy here. I hope you have enjoyed the eye candy in the meantime. And I hope you’ve got your Love with a Twist fabrics all ready to go.
Yes? Well, let’s get on with the 2019 Clever Chameleon quilt along then! I am loving this one already.
Dandelion Shadows: How to Shadow Trapunto with Felt.
Did you know there are an amazing number ways of achieving the stuffed quilting known as trapunto? When I was at school we were only taught one method. Snip the back of your work after stitching the trapunto outlines, stuff in some extra padding and sew the hole back up again. Of all the trapunto methods I now know, this would be my least recommended!
Trapunto quilting can be achieved by hand or machine. If you want to do trapunto by hand, read this fabulous article by Quilts A Lot and watch this video she recommends. This is a much nicer method than the slit and stitch I was taught. I would like to give it a go, “one day”.
Actually, even if you don’t want to do trapunto/french boutis by hand, these links are worth a look. The trapunto wedding rings quilt of Quilts A Lot is amazing, and the more techniques you know about, the more idea resources you’ll have to use in all your designs. 🙂
Machine Trapunto
Probably the most common method of trapunto I see these days is created by machine free-motion stitching onto fabric layered over polyester wadding. The wadding is then clipped to the trapunto shape before a quilt sandwich is made. There are many experts out there on this, including Geta Grama. I am not one of them, but I have given this type of trapunto a go recently on my Dream Big mini quilt. Now I am playing with shadow trapunto.
Shadow Trapunto
Shadow trapunto is when the top fabric and clipped wadding is laid directly over a second fabric rather than straight onto the quilt batting. The fabric between the polyester wadding and the quilt batting is expected to show through the top layer, except where the trapunto lies. Here the wadding obscures the fabric design underneath, creating a “shadow”. Thus the trapunto design has even more visual impact than ordinary trapunto.
The remainder of this blog post is a description of how I did the Dandelion Shadows trapunto with felt.
Felt Shadow Trapunto Cushion Project: materials
What you need: which fabrics to choose
The first step of a shadow trapunto project is to choose the top fabric and the feature fabric. The main requirement for the top fabric is that it needs to be partially see-through. You can use very transparent fabrics like tulle, or more opaque fabrics, like cotton lawn. Choose white or a very pale colour. For this project I wanted a subtle effect, so I choose white cotton lawn for its partially opaque nature.
The most important requirement for the feature fabric for shadow trapunto is that there is good contrast within the print. Light coloured prints often perform very well. Saturated prints that look bright but have low colour value contrast do not give very pleasing results. If in doubt, lay your top fabric over potential feature fabrics until you find one that shows through as you would like.
The feature fabric for my Dandelion Shadows project practically chose itself. While I was out shopping I noticed this hexagon print fabric, and it sparked an idea. It is “Grecian Bath House Tiles” by Emma & Mila.
Don’t forget, of course, that you’ll also need quilt batting and a backing for your project, seperate from the trapunto supplies.
What you need: which trapunto stuffing to choose
Finally, you need a material for the trapunto stuffing. To do a project with the method I am describing here, you will need a thick non-fraying fabric that you can cut into shapes without stitching it down first. I used felt, but thick fleece or similar would also work. The result is a much flatter trapunto effect than the traditional method…. perhaps it is “modern trapunto”. I like both effects…. but I would use them in different contexts. Choose a colour that works with your feature and top fabrics, because the idea is that you will partially see the trapunto stuffing through the top layer.
How much of everything you will need:
For this cushion (about 42cm square) I used:
– 50cm WOF of the feature fabric, cut into 2x 50cm² pieces.
– 50cm² white cotton lawn
– scraps of yellow and white felt
– 50cm² low-loft polyester batting
I didn’t use a backing because I intended to make a cushion out of the trapunto piece, so a backing would just be hidden inside the cushion. However, if you wish to back your trapunto, by all means do so.
Felt Shadow Trapunto Cushion Project: creating the trapunto quilt sandwich
How to create your trapunto shapes:
Once you have chosen your trapunto materials (and rescued them from your furry quilting friends), the next job is to produce the felt shapes to make the trapunto design. I chose to overlay the printed hexagons on the feature fabric with felt hexagons of the same size. You could exploit any medium or large scale fabric print in the same way. Or you can create any original design that you are willing to cut out and glue down onto your feature fabric. Either draw your design in reverse onto the back of your felt, or trace your reversed design onto freezer paper and use these templates to cut out your felt pieces.
I used freezer paper. This was actually a bit of an experiment, because I thought that the freezer paper would not stick to felt more than once, due to the great amount of fluff that remains on the freezer paper once the felt is peeled away. But I got at least 4 re-uses out of each freezer paper template, and it would have been more, but I didn’t require any more felt hexagons.
Attaching the felt to the feature fabric:
To get the felt accurately attached to the feature fabric I used a very thin smear of Elmer’s school glue (available in Officeworks here in Australia) to position the pieces. Once the glue was tacky enough that the pieces couldn’t shift, I flipped the project over and hot ironed from the back. This sets the glue hard so it cannot damage my sewing machine. However, if I want to re-position any pieces, they just gently peel off. Elmer’s glue is so fantastic!
Take care to use just a little so it doesn’t soak through to the front of the felt, especially if you are using a highly transparent top fabric…. but if it does, Elmer’s glue washes out, so as long as you can wash your project, it shouldn’t matter.
Once the pieces are securely attached and ironed dry, layer your work over the quilt batting and backing (optional for cushions). Then layer the top fabric (cotton lawn) over the top of everything else.
Secure all layers with your favourite basting method (in my case, quilting pins).
Felt Shadow Trapunto Cushion Project: quilting
Now it is time to quilt. I chose to quilt around the trapunto with a pebble, spiral and feathers design I saw on Karen Miller’s work posted in the Free Motion Quilting Frenzy facebook group (if you are into FMQ – join this group!!). There was no particular reason to use this FMQ design, except that I really wanted to try it. Any dense fill you like will do.
I finished off the quilting by adding some stems and leaves to the trapunto flowers and dandelion clock. These are quilted in a very pale grey-green. The idea is that they don’t detract from the trapunto and are only really noticeable if you are closely looking at the piece. Ghost details, if you wish.
Felt Shadow Trapunto Cushion Project: finishing off the cushion cover construction
Once I was happy with my trapunto piece, I squared up the sides. I cut the remaining piece of my feature fabric in half and hemmed one long edge on both pieces. I then sewed these pieces to the sides of the trapunto sample.
I then folded the flaps over the trapunto piece, right sides together, so that the cushion backing pieces overlapped by 3-4 inches. I then sewed up the top and bottom of the quilt cover and trimmed the excess from the seams.
Here is the back once it was turned right sides out and filled with a pillow form.
And the finished cushion 🙂
I hope these instructions are clear enough. If you have been following my blog lately, you’ll know that I am writing things in a bigger hurry than usual. If you have any questions, please ask and I’ll endeavour to answer and/or edit to clear things up.
Shadow trapunto with felt is a lot faster and less stressful than the more traditional kind. No risk of accidentally snipping fabric or stitches. But it does give a different effect, so it’s not a replacement for stuffed trapunto. I really like the effect this gives. I will be doing this again, for sure.
What do you think? Are you going to give this a go? Have you already done trapunto using this method? I’d love to know what you made.
Now, I’m going to have to love and leave you….. we have a family day in between all the work we are doing here in Vanuatu. Going to see an active volcano!!!!!! I am hoping tomorrow’s “everyday” quilt inspiration slot will be anything but! xx
Howdy……. Normally I do not post on a Wednesday. But today, I want to show off my finish from last week (I was going to show you in my usual end of week post, but that draft is getting too long already). So I have split my ravings into two doses this week. I hope you don’t mind…..
Anyway, do you remember last week I was madly trying out some trapunto as homework for my local Handi Quilter club? Well, I was. I chose to play with a free design from Geta’s Quilting Studio, that you can access too if you wish. Then I added a heap of FMQ as decoration and practice. And then I ran out of time. But it is now trimmed and bound and hung. Voila!
I bound it by machine and it was a bit of a rush job. I probably will refrain from doing that again. But I have just found out we need to head overseas for work for a couple of weeks and I have committed to a fair few too many things between now and then. So, in the belief that finished is better than perfect, it is done. Apart from NOT needing any more UFOs, there are two other reasons why I wanted this finished. The first is, that I wanted to try hanging a quilt with these:
These are adhesive velcro-like strips that clip together and stick to your wall and your picture. I have used 3M brand hooks for a long time, and always have found them to perform very well, so when someone mentioned to me that they use them to hang quilts, I was intrigued. To be honest, also a little bit skeptical. I was not sure that the adhesive strips would hold that well to fabric…. and what of the long term consequences to the quilt? Best to test it out on something not too precious.
Hanging the “Dream Big” mini
So “Dream Big” was always going to be my test piece for this experiment. I added one strip to each corner. In theory, the weight of this quilt probably only needs 1 or 2 strips, but one in each corner will keep it flush to the wall. And I want to pin my show ribbons to it as a display. So over time it should increase in weight! How’s that for optimism!! hahahaha. Please don’t think I am being conceited…… I am currently laughing quite hard….. 🙂 Accumulation of dust is likely the bigger hazard! “Dream Big” is a reminder to myself about sticking with this blog, and believing in my husband’s humanitarian goals, not show quilting.
Anyway, to begin with, the adhesive didn’t seem to bond very well with the Dream Big quilt. But the strips have been on there for four days now, and I have to admit, they are feeling pretty firmly stuck now. I have even become game enough to add two ribbons… the one I got from the local show this year and a second place I won in 2014.
I’ll let you know if it comes crashing down. In which case, I will be opting to use hanging corner pockets on my mini quilts instead. But I do like how this hanging method leaves the quilt completely flush against the wall. And the instant gratification of quilt onto wall works for me as well!
Have you ever tried these hooks, or a similar product on a quilt? How do they perform over time?
I am linking this post up with Amy’s Creative Side for the Blogger’s Quilt Festival. It’s the first time I have participated in this and I’m quite excited….. this is the upside of being a brand new blogger (and easily amused…)! There are a lot of prizes up for grabs for just participating, so if you blog about your quilts, head on over and join us. Link ups finish the end of this week. Good luck!
If you are a blogger having arrived here from Amy’s quilt festival, welcome and please leave a comment – it would be a pleasure to “meet” you.
How do you hang your mini quilts? I’d love to hear from you. Comments make my day, and I’m always amazed at the plethora of ideas out there when quilters start sharing tips!!
If you have been following for a little while, you may remember that I have been attending monthly local Handiquilter group meetings at the Adelaide Sewing Centre. I really like these meetings because they expose me to different techniques and give me a semi-hard-deadline to try them before the next meeting. This past two months we have been looking at trapunto.
The meeting before last, Heather talked about trapunto in general. Then last month she upped the ante by talking about shadow trapunto. This is fantastic, because I first discovered shadow trapunto on the internet years ago, and put it on my to-do list. Where it sadly stayed ever since. Until now.
I was pretty pleased that the next month or two’s worth of homework is something I have always wanted to try. But of course, time slips away and the next meeting is looming very large, so today and yesterday I have been madly going trapunto! 🙂
Researching my Trapunto Homework
A few months ago, I also discovered an amazing quilting blog by Geta Grama. If you are not familiar with this blog, you are definitely missing out. I highly recommend that you check it out (Hey, not just yet! – when you are finished here!! ;)).
What’s more, I discovered Geta Grama about the same time Heather announced that we were going to be looking at trapunto for the next few months. And, guess what Geta does a lot of? That’s right! Trapunto! So ever since, I have had one of Geta’s tutorials earmarked. Now I am having a crack at it, and here’s how it went….
After downloading Geta’s “Dream Big” file, I printed the pdf (4 pages) and stuck them together…. this went without a hitch. Now, here’s where I started to deviate from the script. I don’t currently own a working wash-out marking pen, and they make me nervous anyway. So, I traced the lettering onto greaseproof paper and layered this over white cotton quilting fabric and 200gsm (30mm) polyester wadding. I immediately wished I had opted for the thinner polyester batting, as the fat wadding didn’t fit very well under my sewing machine foot. It probably wouldn’t have been such an issue if I had just marked the fabric rather than trying to use baking paper, so perhaps I shall have to remember to buy a washout pen next time I am shopping.
Anyway, with a little care, I managed to sew around the lettering without losing the baking paper. I used soluble thread on the top and ordinary bobbin thread underneath.
Then came the bit that has always put me off trapunto. The cutting away of the excess polyester batting. I hate the thought of nicking the top fabric or the stitching holding it all together. Just to cut out this little project took me an hour, and I did accidentally cut the stitching once. It promptly started coming undone quite badly, so I re-sewed the loose part straight away. Thankfully I didn’t nick the top fabric at any point. At this point I was pretty sure that trapunto is not for me. Too stressful for a hobby!!!
I will note here that I should have read Geta’s tutorial more thoroughly before I started. She says starching your fabric really stiff helps keep the fabric from getting accidentally snipped. I’ll have to try that next time. If there is a next time….. see, I am warming to the idea.
Putting the Quilt Together
Once I had the trapunto prepared, I layered it over another two layers of bamboo/cotton blend batting (that’s what I had at hand) and put white fabric on the back. I used two layers because I read on Karen’s quilt blog that this will give you better quilting definition and more texture. I wanted to give this a go, and there’s nothing like killing two birds with one stone.
Then I traced the innermost heart shape onto more greaseproof paper and positioned it over the quilt sandwich using the lettering as a guide to placement. I stitched the outline of the heart in white thread and removed the paper.
Then I filled in the heart around the lettering with micro stippling and finished off the letters and heart outlines by going around them twice. I used variegated Wonderfill cotton thread for the micro stippling and Robison-Anton rayon for the outlines. The Robison-Anton shreds too easily in my Sweet 16, although I never had any problems with it in my domestic machine. I personally prefer Madeira rayon in my Sweet 16. However, the colour was the decider from the threads I had on hand, so I just persisted through the inevitable broken thread episodes.
Quilting the background
The original pattern from Geta Grama was finished off with some simple echo quilting. But never one to stick to a pattern, I had to mess with it. Besides, I am always looking for ways to increase my quilting practice without increasing my number of projects. So, I drew up a slightly altered echo quilting plan and filled in the first concentric heart with half feathers. By this stage I was having fun. There will probably be a next time after all.
Then I decided to complete the feathers rather than repeating the half feathers and alternate the feathers with other designs. I started with pebbles, but my bobbin ran out. Which was fortuitous because I decided I didn’t like the pebbles after all and ripped them out.
In the end, I decided to fill in the gaps between the feathers with micro-stippling. It seemed better to keep the number of design elements to a minimum.
Finally I decided that I liked the extra white space left at this point, so I actually didn’t fill in the last few sections with dense quilting. So the project finally ended up looking like this: